In her solo installation for Art Basel Hong Kong Discoveries 2019, presented by 1335MABINI, Jill Paz revisits and reinterprets the body of works of the late 19th century Filipino painter Félix Resurrección Hidalgo (1855-1913), an enigmatic figure in Philippine art history and a great grand-uncle of hers. During his lifetime, Hidalgo would move and work constantly between Europe and Manila, underscoring both the assimilation of influences and diasporic nature that have characterized the practice of many Filipino artists up to today. Paz’s ancestral homage delves into the unstable nature of the past: as fragments, shards and recollections. ‘Grove of Trees’ as a whole, explore the need and subsequent limitation for repair and renovation, rendering the limits between object and being, history and folklore, fact and fiction, permeable.